21. Yüzyıl Yapay Zeka Destekli Resimlerde Avrupa ve Türk Kültüründen İzler

Yıl 2024, Sayı: 22, 280 – 307, 10.09.2024

Mehmet Akif Özdal

https://doi.org/10.46250/kulturder.1522646

Öz

The rise of AI-aided art has led to a rethinking of the originality, creativity, and value of human touch in art. The collaboration between humans and AI has created new forms in the creation of art. This study examines the representations of AI-aided paintings in European and Turkish cultures in the 21st century and the reflection of these representations on cultural and artistic expressions, revealing how AI technologies reinterpret artistic and cultural heritage. In this context, the qualitative research methods of historical perspective analysis and logical reasoning were adopted and the study was conducted. The findings showed that AI-aided painting production expanded the definition of art and made new forms of artistic expression possible. The results, however, showed that AI technologies created new forms of expression by transcending traditional understandings of art, contributing to the preservation and accessibility of cultural works through digitalization and AI-based analysis. In this study, the reflections of representations from European and Turkish cultures on cultural and artistic expressions were examined through four artists (Refik Anadol, Murat Palta, Mario Klingemann, Anna Ridler) and eight of their works.

Anahtar Kelimeler

artificial intelligence, painting, culture, art, technology

Kaynakça

• Akçalı, Emel (ed.) (2016). Neoliberal Governmentality and the Future of the State in the Middle East and North Africa. New York: Palgrave Mac.
• Althusser, Louis & Balibar, Etienne (1997). Reading Capital. London and New York: Verso.
• Anadol, Refik (2015). “Visions of America: Ameriques”. ACM Siggraph 2015 Computer Animation Festival. New York: Association for Computing Machinery, 155-155.
• Anadol, Refik (2022). “Space in the Mind of a Machine: Immersive Narratives”. Architectural Design, 92(3): 28-37.
• Bulut, Şükran (2023). “Metaverse ya da Sanal Gerçeklik Kavramı ve Sanatçı: Refik Anadol’un Çalışmaları”. Cumhuriyet Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 47(1): 69-76.
• Butler, Christopher (2002). Postmodernism: A Very Short Introduction. London: Oxford Paperbacks.
• Çelenk, Ayşegül ve Açıcı, Funda K. (2022). “Tasarımda Yeni Yaklaşımlar: Refik Anadol ve Makine Hatıraları”. Akademik Sanat, 17: 73-86.
• Horrocks, David & Kolinsky, Eva (eds.). (1996). Turkish Culture in German Society Today 1. New York: Berghahn Books.
• Horzum, Mehmet Barış vd. (2017). “Beş Faktör Kişilik Ölçeğinin Türk Kültürüne Uyarlanması”. Sakarya Uni. Journal of Education, 7(2): 398-408.
• Hua, Sue (2022). “Disruption, Digitalization and Connectivity: Asia’s Art Market in Transformation”. Arts, 11(3): 57.
• Huang, Rujing & Sturm, Bob (2021). “Reframing ‘Aura’: Authenticity in the Application of AI to Irish Traditional Music”. 2nd Conference on AI Music Creativity 2021. AIMC, 1-18.
• Ihde, Don (1990). Technology and the Lifeworld: From Garden to Earth. Bloomington: Indiana University Press.
• Jiang, Hary H. et al. (2023). “AI Art and its Impact on Artists”. Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society. ACM, 363-374.
• Karakaş, Sirel et al. (1999). “Stroop Test TBAG Form: Standardisation for Turkish Culture, Reliability and Validity”. Journal of Clinical Psychiatry, 2(2): 75-88.
• Kızılşafak, Elanur (2014). “Minyatürden İllüstrasyona Tarihsel ve Güncel Bir Bakış”. Fine Arts, 9(4): 162-174.
• Mazzone, Marian & Elgammal, Ahmed (2019). “Art, Creativity, and the Potential of Artificial Intelligence”. Arts, 8(1): 26.
• McNamara, Tace (2023). “Artificial Intelligence and the Emergence of Co-Creativism in Contemporary Art”. INSAM Journal of Contemporary Music, Art and Technology, 11: 12-38.
• Oney Yazıcı, Ela et al. (2007). “Organizational Culture: The Case of Turkish Construction Industry”. Engineering, Construction and Architectural Management, 14(6): 519-531.
• Poyrazlı, Şenel (2003). “Validity of Rogerian Therapy in Turkish Culture: A Cross-cultural Perspective”. The Journal of Humanistic Counseling, Education and Development, 42(1): 107-115.
• Sak, Uğur (2020). “Giftedness and the Turkish Culture”. Conceptions of Giftedness. Eds. Robert J. Sternberg & Janet E. Davidson. New York & London: Routledge, 279-305.
• Sirkeci, İbrahim et al. (2012). Turkish Culture of Migration: Flows Between Turkey and Germany, Socio-Economic Development and Conflict. Migration Letters, 9(1): 33-46.
• Spratt, Emily L. (2018). “Creation, Curation, and Classification: Mario Klingemann and Emily L. Spratt in Conversation”. XRDS: Crossroads, The ACM Magazine for Students, 24(3): 34-43.
• Tezci, Erdoğan (2011). “Turkish Primary School Teachers’ Perceptions of School Culture Regarding ICT Integration”. Educational Technology Research and Development, 59: 429-443.
• Tuna, Sinem (2021). “Kültürlerin Kesişim Noktasında Minyatür Sanatının Sinemasal Bağlamda Yorumlanışı: Murat Palta Minyatürleri”. ART/icle: Sanat ve Tasarım Dergisi, 1(1): 139-168.
• URL-1: https://anamed.ku.edu.tr/yapay-zeka-ve-sanat-edmond-belamynin-portresi/ (Erişim: 20.03.2024).
• URL-2: https://refikanadol.com/works/machine-hallucination-nyc/ (Erişim: 20.03.2024).
• URL-3: https://refikanadol.com/works/melting-memories/ (Erişim: 11.04.2024).
• URL-4: https://www.artxist.com/Sanatci-Cv/Murat-Palta/17 (Erişim: 11.04.2024).
• URL-5: https://underdestruction.com/2020/08/29/neural-decay/ (Erişim: 17.05.2024).
• URL-6: https://medium.com/dipchain/mario-klingemann-memories-of-passersby-i-c73f72675743 (Erişim: 20.05.2024).
• URL-7: https://annaridler.com/mosaic-virus (Erişim: 04.06.2024).
• URL-8: https://dam.org/museum/artists_ui/artists/ridler-anna/myriad/ (Erişim: 21.06.2024).
• URL-9: https://neuripscreativityworkshop.github.io/2022/papers/ml4cd 2022_paper13.pdf (Erişim: 21.06.2024).
• Yi, Mengze (2023). “Research on Artificial Intelligence Art Image Synthesis Algorithm Based on Generation Model”. 2023 2nd International Conference on 3D Immersion, Interaction and Multi-Sensory Experiences (ICDIIME). IEEE, 102-106.

21. Yüzyıl Yapay Zeka Destekli Resimlerde Avrupa ve Türk Kültüründen İzler

Yıl 2024, Sayı: 22, 280 – 307, 10.09.2024

Mehmet Akif Özdal

https://doi.org/10.46250/kulturder.1522646

Öz

Yapay zekâ destekli sanatın yükselişi, sanatın özgünlüğü, yaratıcılığı ve insan dokunuşunun değeri üzerine yeniden düşünülmesine yol açmıştır. İnsan ve yapay zekâ arasındaki iş birliği, sanatın yaratılmasında yeni formlar ortaya çıkarmıştır. Bu çalışma, 21. yüzyılda yapay zekâ destekli resimlerin Avrupa ve Türk kültürlerinde temsilleri ve bu temsillerin kültürel ve sanatsal ifadelere yansımasını inceleyerek, yapay zekâ teknolojilerinin sanatsal ve kültürel mirası nasıl yeniden yorumlandığını ortaya koymaktadır. Bu kapsamda nitel araştırma yöntemlerinden tarihsel perspektif analizi ve mantıksal akıl yürütme yöntemleri benimsenerek inceleme yapılmıştır. Bulgular yapay zekâ destekli resim üretiminin, sanatın tanımını genişlettiği ve sanatsal ifadenin yeni biçimlerini mümkün kıldığını göstermiştir. Sonuçlar ise bulgulara bağlı kalarak yapay zekâ teknolojilerinin geleneksel sanat anlayışlarını aşarak yeni ifade biçimleri yarattığını, kültürel eserlerin dijitalleştirilmesi ve yapay zekâ tabanlı analizlerle korunmasına ve erişilebilirliğinin artırılmasına katkı sağladığını göstermiştir. Bu çalışmada, dört sanatçı (Refik Anadol, Murat Palta, Mario Klingemann, Anna Ridler) ve sekiz eseri üzerinden Avrupa ve Türk kültürlerinden temsillerin kültürel ve sanatsal ifadelere yansımaları incelenmiştir.

Anahtar Kelimeler

yapay zekâ, resim, kültür, sanat, teknoloji

Kaynakça

• Akçalı, Emel (ed.) (2016). Neoliberal Governmentality and the Future of the State in the Middle East and North Africa. New York: Palgrave Mac.
• Althusser, Louis & Balibar, Etienne (1997). Reading Capital. London and New York: Verso.
• Anadol, Refik (2015). “Visions of America: Ameriques”. ACM Siggraph 2015 Computer Animation Festival. New York: Association for Computing Machinery, 155-155.
• Anadol, Refik (2022). “Space in the Mind of a Machine: Immersive Narratives”. Architectural Design, 92(3): 28-37.
• Bulut, Şükran (2023). “Metaverse ya da Sanal Gerçeklik Kavramı ve Sanatçı: Refik Anadol’un Çalışmaları”. Cumhuriyet Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 47(1): 69-76.
• Butler, Christopher (2002). Postmodernism: A Very Short Introduction. London: Oxford Paperbacks.
• Çelenk, Ayşegül ve Açıcı, Funda K. (2022). “Tasarımda Yeni Yaklaşımlar: Refik Anadol ve Makine Hatıraları”. Akademik Sanat, 17: 73-86.
• Horrocks, David & Kolinsky, Eva (eds.). (1996). Turkish Culture in German Society Today 1. New York: Berghahn Books.
• Horzum, Mehmet Barış vd. (2017). “Beş Faktör Kişilik Ölçeğinin Türk Kültürüne Uyarlanması”. Sakarya Uni. Journal of Education, 7(2): 398-408.
• Hua, Sue (2022). “Disruption, Digitalization and Connectivity: Asia’s Art Market in Transformation”. Arts, 11(3): 57.
• Huang, Rujing & Sturm, Bob (2021). “Reframing ‘Aura’: Authenticity in the Application of AI to Irish Traditional Music”. 2nd Conference on AI Music Creativity 2021. AIMC, 1-18.
• Ihde, Don (1990). Technology and the Lifeworld: From Garden to Earth. Bloomington: Indiana University Press.
• Jiang, Hary H. et al. (2023). “AI Art and its Impact on Artists”. Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society. ACM, 363-374.
• Karakaş, Sirel et al. (1999). “Stroop Test TBAG Form: Standardisation for Turkish Culture, Reliability and Validity”. Journal of Clinical Psychiatry, 2(2): 75-88.
• Kızılşafak, Elanur (2014). “Minyatürden İllüstrasyona Tarihsel ve Güncel Bir Bakış”. Fine Arts, 9(4): 162-174.
• Mazzone, Marian & Elgammal, Ahmed (2019). “Art, Creativity, and the Potential of Artificial Intelligence”. Arts, 8(1): 26.
• McNamara, Tace (2023). “Artificial Intelligence and the Emergence of Co-Creativism in Contemporary Art”. INSAM Journal of Contemporary Music, Art and Technology, 11: 12-38.
• Oney Yazıcı, Ela et al. (2007). “Organizational Culture: The Case of Turkish Construction Industry”. Engineering, Construction and Architectural Management, 14(6): 519-531.
• Poyrazlı, Şenel (2003). “Validity of Rogerian Therapy in Turkish Culture: A Cross-cultural Perspective”. The Journal of Humanistic Counseling, Education and Development, 42(1): 107-115.
• Sak, Uğur (2020). “Giftedness and the Turkish Culture”. Conceptions of Giftedness. Eds. Robert J. Sternberg & Janet E. Davidson. New York & London: Routledge, 279-305.
• Sirkeci, İbrahim et al. (2012). Turkish Culture of Migration: Flows Between Turkey and Germany, Socio-Economic Development and Conflict. Migration Letters, 9(1): 33-46.
• Spratt, Emily L. (2018). “Creation, Curation, and Classification: Mario Klingemann and Emily L. Spratt in Conversation”. XRDS: Crossroads, The ACM Magazine for Students, 24(3): 34-43.
• Tezci, Erdoğan (2011). “Turkish Primary School Teachers’ Perceptions of School Culture Regarding ICT Integration”. Educational Technology Research and Development, 59: 429-443.
• Tuna, Sinem (2021). “Kültürlerin Kesişim Noktasında Minyatür Sanatının Sinemasal Bağlamda Yorumlanışı: Murat Palta Minyatürleri”. ART/icle: Sanat ve Tasarım Dergisi, 1(1): 139-168.
• URL-1: https://anamed.ku.edu.tr/yapay-zeka-ve-sanat-edmond-belamynin-portresi/ (Erişim: 20.03.2024).
• URL-2: https://refikanadol.com/works/machine-hallucination-nyc/ (Erişim: 20.03.2024).
• URL-3: https://refikanadol.com/works/melting-memories/ (Erişim: 11.04.2024).
• URL-4: https://www.artxist.com/Sanatci-Cv/Murat-Palta/17 (Erişim: 11.04.2024).
• URL-5: https://underdestruction.com/2020/08/29/neural-decay/ (Erişim: 17.05.2024).
• URL-6: https://medium.com/dipchain/mario-klingemann-memories-of-passersby-i-c73f72675743 (Erişim: 20.05.2024).
• URL-7: https://annaridler.com/mosaic-virus (Erişim: 04.06.2024).
• URL-8: https://dam.org/museum/artists_ui/artists/ridler-anna/myriad/ (Erişim: 21.06.2024).
• URL-9: https://neuripscreativityworkshop.github.io/2022/papers/ml4cd 2022_paper13.pdf (Erişim: 21.06.2024).
• Yi, Mengze (2023). “Research on Artificial Intelligence Art Image Synthesis Algorithm Based on Generation Model”. 2023 2nd International Conference on 3D Immersion, Interaction and Multi-Sensory Experiences (ICDIIME). IEEE, 102-106.

Toplam 34 adet kaynakça vardır.

Ayrıntılar

Kaynak Göster

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