Architectural Promenade and MAXXI Museum

Yıl 2024, Cilt: 9 Sayı: 1, 492 – 509, 30.07.2024

Nihan Canbakal Ataoğlu

https://doi.org/10.30785/mbud.1456902

Öz

There exists disagreement over the content, purpose, and form of museums, which can be traced back to the Greek temples of antiquity. There is, however, consensus over how museums should be organized, display their art, and circulate their collection. Le Corbusier’s concept of the promenade was defined to analyze the circulation setup of the MAXXI museum, which attracts attention with its design in contemporary museology. In this study, the components of the promenade setup for the MAXXI Museum were identified by analyzing photographic sequences taken from the perspective of a mobile observer. To bring out the current museum circulation design, the MAXXI Museum promenade layout was analyzed using spatial experiences, observations, syntactic analysis techniques, and semantic analysis. The purpose of the study is to shed light on how the circulation structure of modern spaces is changing through an analysis concept of a promenade. This brand-new museum area provides a spatial journey with surprises.

Anahtar Kelimeler

Promenade, circulation, museum, Le Corbusier, MAXXI Museum

Kaynakça

  • Alamy. (2024). Access Address (07.01.2024): https://www.alamy.com/stock-photo/galleria-uffizi.html?blackwhite=1&sortBy=relevant
  • Archdaily. (2023). Access Address (15.10.2023): https://www.archdaily.com/43822/maxxi-museum-zaha-hadid-architects
  • Archiweb. (2023). Access Address (11.07.2023): https://www.archiweb.cz/en/b/narodni-muzeum-pro-zapadni- umeni
  • Archiweb. (2024). Access Address (07.01.2024). https://www.archiweb.cz/en/b/altes-museum
  • Architectural Moleskine. (2023). Access Address (11.01.2023): https://architecturalmoleskine.blogspot.com/2011/10/le-corbusier-museum-of-western-art.html
  • Arkitektuel. (2023). Access Address (15.10.2023): https://www.arkitektuel.com/maxxi-muzesi/
  • Artun, A. (2012). Tarih Sahneleri Sanat Müzeleri 1, Müze ve Modernlik, İstanbul: İletişim Yayınları.
  • Artun, A. (2017). Mümkün Olmayan Müze, Müzeler ne Gösteriyor? İstanbul: İletişim Yayınları.
  • Bilotta, S. & Rosati, A.(2010). MAXXI Museo Nazionale Delle Arti Del XXI Secolo, Electa.
  • Broto, C. (2013). New Concepts in Museum Architecture, Spain: LinksBooks.
  • Canbakal, N. (2002). Konvansiyon ve Moda Kapsamı İçinde Müzeler, Unpublished Master's Thesis, KTÜ, Fen Bilimleri Enstitüsü, Trabzon.
  • Canbakal, N. (2003). Moda ve Müzeler, Yapı (255), İstanbul: YEM Yayın.
  • Canbakal Ataoğlu, N. (2009). Çağdaş Mimaride Bir Antitez: Sirkülasyon, Unpublished Ph.D. Thesis, KTÜ, Fen Bilimleri Enstitüsü, Trabzon.
  • Canbakal Ataoğlu, N. (2011). Modern Dönem Tasarımlarında Dolaşım Çözümleri, Yapı (361), İstanbul: YEM Yayın, 62-67.
  • Canbakal Ataoğlu, N. (2014). Sirkülasyon Alanlarında Yeni Biçimlenmeler, Yapı Dünyası, Eylül-Ekim, (222-223), 20-25.
  • Canbakal Ataoğlu, N. (2016a). New Designs in Circulation Areas and museums the Case of the Quai Branly Museum, Uludağ University Journal of The Faculty of Engineering, (21) DOI: 10.17482/uujfe.44573 1. Access Address (15.10.2023): https://dergipark.org.tr/en/pub/uumfd/issue/26727/281358
  • Canbakal Ataoğlu, N. (2016). Photograph Archive, Rome.
  • Canbakal Ataoğlu, N. (2018). Photograph Archive, Florence.
  • Ching, F. D. K. (2002). Mimarlık, Biçim, Mekan ve Düzen, İstanbul: YEM Yayın.
  • Christenson, M. (2016). Le Corbusier’s Museum of Unlimited Extension: Spirals and Occlusion Maps, 104th ACSA Annual Meeting Proceedings Shaping New Knowledges, Annual Meeting Proceedings Access Address (10.11.2022): https://www.acsa-arch.org/chapter/le-corbusiers-museum-ofunlimited-extension-spiralsand- occlusion-maps/
  • Clark, R. & Pause, M. (2005). Precedents in Architecture Analytic Diagrams, Formative İdeas and Parts, Canada: John Wiley&Sons.
  • Cohen, J. L. (2013). Le Corbusier, Taschen.
  • Crimp, D. (1997). On the Museum’s Ruins, London: The MIT Press, 296.
  • Cullen, G. (1961). Concise Townscape, London: Routledge.
  • Duncan, C., & Wallach, A. (2004). The Universal Survey Museum, Messias, B., Carbonell, (ed), Museum Studies-an Anthology of Contexts, Oxford, Blackwell Publishing, (Tarih Sahneleri Sanat Müzeleri 2, Müze ve Eleştirel Düşünce, 2006, Artun, A. (ed). İstanbul: İletişim.
  • Fondation Le Corbusier. (2020a). Access Address (15.01.2020): https://www.fondationlecorbusier.fr/oeuvre- architecture/projets-villa-meyer-neuilly-sur-seine-france-1925/
  • Fondation Le Corbusier. (2020b). Access Address (15.01.2020): http://www.fondationlecorbusier.fr/CorbuCache/2049_4187.pdf
  • Fossi, G. (2017). Uffuzi Gallery, Italia: Giunti.
  • Foster, H. (2013). Sanat Mimarlık Kompleksi, İletişim, 2013, 47-79.
  • Gerçek, F. (1999). Türk Müzeciliği, Ankara: Kültür Bakanlığı.
  • Hadid, Z. (2011). MAXXI-Ulusal 21. Yüzyıl Sanatları Müzesi, Yapı (350), İstanbul: YEM Yayın.
  • Hadid Architects, Z. (2024). Access Address (15.01.2024): https://www.zaha-hadid.com/architecture/maxxi/
  • ICOM. (2024). Access Address (05.01.2024): https://icom.museum/en/resources/standards- guidelines/museum-definition/
  • Jodidio, P. (2011). Architecture Now! Museums, Taschen, 6-18.
  • Kızılörenli, E. & Tokuç, A. (2022). Parametric Optimization of a Responsive Façade System for Daylight Performance. Journal of Architectural Sciences and Applications, 7 (1), 72-81. DOI: https://doi.org/10.30785/mbud.1038768, Access Address (03.04.2024): https://dergipark.org.tr/en/pub/mbud/issue/69153
  • Kuban, D. (2001). Koolhaas İle Konuşma Can Aker, Ahmet Özgüner, Boyut Çağdaş Dünya Mimarları Dizisi 13, İstanbul: Boyut Yayın Grubu, 14-15.
  • Kürtüncü, B. (2014). Bir Anlatı Kurma Aracı Olarak Transkriptler, Paralaks Oda, (ed. S. Aydınlı, B. Kürtüncü), İstanbul: Cenkler Matbaacılık.
  • Le Corbusier. (1923). Bir Mimarlığa Doğru, İstanbul: YKY.
  • Le Corbusier. (1950). Modulor, (1. Baskı, 2014), İstanbul: YEM Yayın.
  • Lowry, G. D. (1996). Building the Future: Some Observations on Art, Architecture, and The Museum of Modern Art, İmagining the Future of The Museum of Modern Art, New York: The Museum of Modern Art.
  • Macdonald, E. (2018). Urban Waterfront Promenades, New York: Routledge.
  • Marotta, A. (2012). Typology: Museums, The Architectural Review. Access Address (10.11.2022): https://www.architectural-review.com/essays/typology/typology-museums
  • Moore, L. (2024). Promenade Architecturale. Access Address (28.05.2024): https://competition.adesignaward.com/design-encyclopedia.php?e=195938
  • Newhouse, V. (1998). Towards A New Museum, New York: The Monacelli Press.
  • Pevsner, N. (1976). A History of Building Types, Princeton: Princeton University Press.
  • Samuel, F. (2007). Le Corbusier in Detail. Oxford, England: Architectural Press
  • Samuel, F. (2010). Le Corbusier and the Architectural Promenade. Basel, Switzerland: Birkhauser.
  • Samuel, F. & Jones, P. B. (2012). The Making of Architectural Promenade: Villa Savoye and Schminke House, Architectural Research Quarterly, 16(2), 108–124
  • Schittich, C. (2013). in Detail, Designing Circulation Areas, Stairs, Ramps, Lifts, Routing Planning Principles, Edition Detail, Germany.
  • Slessor, C. (2000). Contemporary Staircases, Octopus Publishing.
  • Soygeniş, S. (2023). Boşlukta Gezinirken Mimari Mekanın Öyküsü, İstanbul: YEM Yayın.
  • Steffens, M. (2016). Schinkel, Slovakia:Taschen: 47.
  • Stephens, S. (1985). Building The New Museum, New York, 16.
  • Taricat, J. (2016). Mimarlık Tarihleri, İstanbul: Janus Yayınları, 213-215, 244-258.
  • Tschumi, B. (1981). The Manhattan Transkcripts, Academy Editions.
  • Uffelen, C. V. (2011). Contemporary Museums, Architecture History Collections, Braun Publishing.

Mimari Promenad ve MAXXI Müzesi

Yıl 2024, Cilt: 9 Sayı: 1, 492 – 509, 30.07.2024

Nihan Canbakal Ataoğlu

https://doi.org/10.30785/mbud.1456902

Öz

Eski Yunan tapınaklarına kadar uzanan müze tanımı, içeriği işlevselliği, formu ile tartışma konusu olurken eserlerin sergilenme biçimi, galerilerin formu ve müze sirkülasyonu tartışmaları da güncelliğini korumaktadır. Bu bağlamda, çağdaş müzecilikte tasarımıyla dikkat çeken MAXXI müzesinin sirkülasyon kurgusu Le Corbusier’in promenad kavramı tanımlanarak analiz edilmiştir. Bu çalışmada, MAXXI Müzesi promenad kurgusu, hareketli gözlemcinin gözünden fotoğrafik sekanslarla analiz edilmiş, promenadın öğeleri saptanmıştır. MAXXI Müzesi promenad kurgusu mekansal deneyimler, gözlemler, sentaktik analiz tekniği ve semantik irdelemeler kullanılarak günümüz müze sirkülasyon tasarımına ışık tutması için analiz edilmiştir. Çalışmada, Le Corbusier’in promenad kavramı ile günümüz çağdaş mekanının değişen sirkülasyon kurgusuna ışık tutmak amaçlanmıştır. Bu yeni müze mekanı, sürprizlerle mekânsal yolculuk sunmaktadır.

Anahtar Kelimeler

Promenad, sirkülasyon, müze, Le Corbusier, MAXXI Müzesi.

Kaynakça

  • Alamy. (2024). Access Address (07.01.2024): https://www.alamy.com/stock-photo/galleria-uffizi.html?blackwhite=1&sortBy=relevant
  • Archdaily. (2023). Access Address (15.10.2023): https://www.archdaily.com/43822/maxxi-museum-zaha-hadid-architects
  • Archiweb. (2023). Access Address (11.07.2023): https://www.archiweb.cz/en/b/narodni-muzeum-pro-zapadni- umeni
  • Archiweb. (2024). Access Address (07.01.2024). https://www.archiweb.cz/en/b/altes-museum
  • Architectural Moleskine. (2023). Access Address (11.01.2023): https://architecturalmoleskine.blogspot.com/2011/10/le-corbusier-museum-of-western-art.html
  • Arkitektuel. (2023). Access Address (15.10.2023): https://www.arkitektuel.com/maxxi-muzesi/
  • Artun, A. (2012). Tarih Sahneleri Sanat Müzeleri 1, Müze ve Modernlik, İstanbul: İletişim Yayınları.
  • Artun, A. (2017). Mümkün Olmayan Müze, Müzeler ne Gösteriyor? İstanbul: İletişim Yayınları.
  • Bilotta, S. & Rosati, A.(2010). MAXXI Museo Nazionale Delle Arti Del XXI Secolo, Electa.
  • Broto, C. (2013). New Concepts in Museum Architecture, Spain: LinksBooks.
  • Canbakal, N. (2002). Konvansiyon ve Moda Kapsamı İçinde Müzeler, Unpublished Master's Thesis, KTÜ, Fen Bilimleri Enstitüsü, Trabzon.
  • Canbakal, N. (2003). Moda ve Müzeler, Yapı (255), İstanbul: YEM Yayın.
  • Canbakal Ataoğlu, N. (2009). Çağdaş Mimaride Bir Antitez: Sirkülasyon, Unpublished Ph.D. Thesis, KTÜ, Fen Bilimleri Enstitüsü, Trabzon.
  • Canbakal Ataoğlu, N. (2011). Modern Dönem Tasarımlarında Dolaşım Çözümleri, Yapı (361), İstanbul: YEM Yayın, 62-67.
  • Canbakal Ataoğlu, N. (2014). Sirkülasyon Alanlarında Yeni Biçimlenmeler, Yapı Dünyası, Eylül-Ekim, (222-223), 20-25.
  • Canbakal Ataoğlu, N. (2016a). New Designs in Circulation Areas and museums the Case of the Quai Branly Museum, Uludağ University Journal of The Faculty of Engineering, (21) DOI: 10.17482/uujfe.44573 1. Access Address (15.10.2023): https://dergipark.org.tr/en/pub/uumfd/issue/26727/281358
  • Canbakal Ataoğlu, N. (2016). Photograph Archive, Rome.
  • Canbakal Ataoğlu, N. (2018). Photograph Archive, Florence.
  • Ching, F. D. K. (2002). Mimarlık, Biçim, Mekan ve Düzen, İstanbul: YEM Yayın.
  • Christenson, M. (2016). Le Corbusier’s Museum of Unlimited Extension: Spirals and Occlusion Maps, 104th ACSA Annual Meeting Proceedings Shaping New Knowledges, Annual Meeting Proceedings Access Address (10.11.2022): https://www.acsa-arch.org/chapter/le-corbusiers-museum-ofunlimited-extension-spiralsand- occlusion-maps/
  • Clark, R. & Pause, M. (2005). Precedents in Architecture Analytic Diagrams, Formative İdeas and Parts, Canada: John Wiley&Sons.
  • Cohen, J. L. (2013). Le Corbusier, Taschen.
  • Crimp, D. (1997). On the Museum’s Ruins, London: The MIT Press, 296.
  • Cullen, G. (1961). Concise Townscape, London: Routledge.
  • Duncan, C., & Wallach, A. (2004). The Universal Survey Museum, Messias, B., Carbonell, (ed), Museum Studies-an Anthology of Contexts, Oxford, Blackwell Publishing, (Tarih Sahneleri Sanat Müzeleri 2, Müze ve Eleştirel Düşünce, 2006, Artun, A. (ed). İstanbul: İletişim.
  • Fondation Le Corbusier. (2020a). Access Address (15.01.2020): https://www.fondationlecorbusier.fr/oeuvre- architecture/projets-villa-meyer-neuilly-sur-seine-france-1925/
  • Fondation Le Corbusier. (2020b). Access Address (15.01.2020): http://www.fondationlecorbusier.fr/CorbuCache/2049_4187.pdf
  • Fossi, G. (2017). Uffuzi Gallery, Italia: Giunti.
  • Foster, H. (2013). Sanat Mimarlık Kompleksi, İletişim, 2013, 47-79.
  • Gerçek, F. (1999). Türk Müzeciliği, Ankara: Kültür Bakanlığı.
  • Hadid, Z. (2011). MAXXI-Ulusal 21. Yüzyıl Sanatları Müzesi, Yapı (350), İstanbul: YEM Yayın.
  • Hadid Architects, Z. (2024). Access Address (15.01.2024): https://www.zaha-hadid.com/architecture/maxxi/
  • ICOM. (2024). Access Address (05.01.2024): https://icom.museum/en/resources/standards- guidelines/museum-definition/
  • Jodidio, P. (2011). Architecture Now! Museums, Taschen, 6-18.
  • Kızılörenli, E. & Tokuç, A. (2022). Parametric Optimization of a Responsive Façade System for Daylight Performance. Journal of Architectural Sciences and Applications, 7 (1), 72-81. DOI: https://doi.org/10.30785/mbud.1038768, Access Address (03.04.2024): https://dergipark.org.tr/en/pub/mbud/issue/69153
  • Kuban, D. (2001). Koolhaas İle Konuşma Can Aker, Ahmet Özgüner, Boyut Çağdaş Dünya Mimarları Dizisi 13, İstanbul: Boyut Yayın Grubu, 14-15.
  • Kürtüncü, B. (2014). Bir Anlatı Kurma Aracı Olarak Transkriptler, Paralaks Oda, (ed. S. Aydınlı, B. Kürtüncü), İstanbul: Cenkler Matbaacılık.
  • Le Corbusier. (1923). Bir Mimarlığa Doğru, İstanbul: YKY.
  • Le Corbusier. (1950). Modulor, (1. Baskı, 2014), İstanbul: YEM Yayın.
  • Lowry, G. D. (1996). Building the Future: Some Observations on Art, Architecture, and The Museum of Modern Art, İmagining the Future of The Museum of Modern Art, New York: The Museum of Modern Art.
  • Macdonald, E. (2018). Urban Waterfront Promenades, New York: Routledge.
  • Marotta, A. (2012). Typology: Museums, The Architectural Review. Access Address (10.11.2022): https://www.architectural-review.com/essays/typology/typology-museums
  • Moore, L. (2024). Promenade Architecturale. Access Address (28.05.2024): https://competition.adesignaward.com/design-encyclopedia.php?e=195938
  • Newhouse, V. (1998). Towards A New Museum, New York: The Monacelli Press.
  • Pevsner, N. (1976). A History of Building Types, Princeton: Princeton University Press.
  • Samuel, F. (2007). Le Corbusier in Detail. Oxford, England: Architectural Press
  • Samuel, F. (2010). Le Corbusier and the Architectural Promenade. Basel, Switzerland: Birkhauser.
  • Samuel, F. & Jones, P. B. (2012). The Making of Architectural Promenade: Villa Savoye and Schminke House, Architectural Research Quarterly, 16(2), 108–124
  • Schittich, C. (2013). in Detail, Designing Circulation Areas, Stairs, Ramps, Lifts, Routing Planning Principles, Edition Detail, Germany.
  • Slessor, C. (2000). Contemporary Staircases, Octopus Publishing.
  • Soygeniş, S. (2023). Boşlukta Gezinirken Mimari Mekanın Öyküsü, İstanbul: YEM Yayın.
  • Steffens, M. (2016). Schinkel, Slovakia:Taschen: 47.
  • Stephens, S. (1985). Building The New Museum, New York, 16.
  • Taricat, J. (2016). Mimarlık Tarihleri, İstanbul: Janus Yayınları, 213-215, 244-258.
  • Tschumi, B. (1981). The Manhattan Transkcripts, Academy Editions.
  • Uffelen, C. V. (2011). Contemporary Museums, Architecture History Collections, Braun Publishing.

Toplam 56 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Mimari Tasarım
BölümAraştırma Makaleleri
Yazarlar

Nihan Canbakal Ataoğlu KARADENİZ TEKNİK ÜNİVERSİTESİ 0000-0001-7110-0330 Türkiye

Yayımlanma Tarihi30 Temmuz 2024
Gönderilme Tarihi22 Mart 2024
Kabul Tarihi1 Temmuz 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 9 Sayı: 1

Kaynak Göster

APACanbakal Ataoğlu, N. (2024). Architectural Promenade and MAXXI Museum. Journal of Architectural Sciences and Applications, 9(1), 492-509. https://doi.org/10.30785/mbud.1456902

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