[en] | Patience Cooper

Patience Cooper was an Anglo-Indian actress, and one of the early superstars of Bollywood. She was the daughter of Phoebe Stella Gamble (born in Calcutta in 1881; daughter of John Frederick Gamble and Phoebe Stella Clement whose mother was Armenian and James Alfred Cooper. An Anglo-Indian[2] born in Howrah, West Bengal, and baptised on 30 May 1905,[3] Cooper had a successful career in both silent and sound films. She is credited with the first double roles of Indian cinema—as twin sisters in Patni Prataap and as mother and daughter in Kashmiri Sundari,[4] even though earlier in 1917, actor Anna Salunke had played roles of both the male lead character Ram and the female lead character Seeta in the film Lanka Dahan.[5]

Patience Cooper
Born(1905-05-30)30 May 1905

DiedApril 5, 1993(1993-04-05) (aged 87)[1]

OccupationActress
Years active1920–1946
Spouses

Stage career

Cooper began her career as a dancer in Bandmann’s Musical Comedy, a Eurasian troupe. She later joined Jamshedji Framji Madan‘s Corinithian Stage Company as an actress.

Film career

Cooper first made an impact with Nala Damayanti (1920). The film starred Keki Adajania as Nala and Cooper as Damayanti. The film was a big budget Madan Theatre production and was directed by Eugenio de Liguoro, known in Italy for his Orientalist spectacles like Fascino d’Oro (1919). Nala Damayanti was famous for its special effects at the time — Narada’s ascent of Mount Meru to heaven, the transformations of four gods into impersonations of Nala, the transformation of Kali into a serpent among others.

Her next film was Vishnu Avtar, released in 1921. De Liguoro also directed Dhruva Chartitra (1921), a mythological based on the legend of Dhruva whose quest for eternal knowledge and salvation was rewarded when he became the brightest star in the heavens, the pole star also known as Dhruvatara. The film was made as a bid for an international breakthrough for Madan Theatres and featured many Europeans in the cast along with Cooper who played the female lead, Suniti.

One of Cooper’s biggest successes was Pati Bhakti (1922). Cooper played Leelavati in the film, directed by the great JJ Madan himself, advocating that women should be devoted to their husband. The film is regarded as her greatest film and was also involved in a small controversy as in Madras, the censor demanded that a dance number be removed on the grounds of obscenity.

Cooper also played perhaps the first ever double roles in Hindi films — Patni Pratap (1923), where she played two sisters and Kashmiri Sundari (1924), where she played mother and daughter.

Cooper did films right through to the mid-1930s. One of her last major films was Zehari Saap (1933). The film was a typical Cooper vehicle about a medieval chieftain’s revolt against the good Nawab Bakar Malik. The nawab’s outlaw son vows revenge and finally all’s well that ends well. The dramatic conflict in the film sees the chieftain wanting to marry the princess, whom he had raised as his own daughter.

Cooper acted in over 40 films until she retired in 1944, after performing in her last film, Iraada. Cooper was often cast in the role of a sexually troubled but innocent woman, always at the centre of moral dilemmas, often caused by the men in her lives.

A major aspect of Cooper’s star image was the successful achievement of the ‘Hollywood look’ in spite of different light and technical conditions. Her distinctively Anglo-Indian features, like dark eyes, sharp features, ebony hair and light skin tone, allowed technicians to experiment with the imported technique of eye-level lighting and achieve an appearance similar to Hollywood stars of the silent era.

The low number of women, especially Hindus, in the film industry during the 1920s (due to conservative attitudes) meant Anglo-Indian actresses like Cooper, were in demand. Her appearance in a string of successful films has led her to being called the first ever female Indian film star.

Later life

It is generally supposed Cooper married Mirza Ahmad Ispahani Saheb (MAH Ispahani), a well-known Indian businessman. In 1947, they migrated to Pakistan.[6] Actually she was married to MAH Ispahani at the age of 21 and divorced soon after. She then married Gul Hamid Khan, one of the first early silent movie actors. He died six years later from Hodgkin’s Disease.[7] She remained friends with MAH Ispahani until the end of her life. Cooper changed her name to Sabra Begum and lived the last of her days with her two adopted daughters Zeenat and Haleema in Karachi, Pakistan. Her foster daughter Syeda Nafees Rizvi lives in Houston, Texas, USA[citation needed]. She fostered and/or adopted 17 children during her lifetime. Cooper died in 1993.[8]

Filmography

YearFilmDirectorNotes
1920Nala DamayantiEugenio de Liguoro
1921Bishu AbatarJyotish Bandyopadhyay
Dhruba CharitraJyotish Bannerji
Nal DamayantiJyotish Bandyopadhyay
Dhruva CharitraEugenio De Liguoro
BehulaC. Legrand[9]
Vishnu AvatarC. Legrand
1922Sati
RatnavaliJyotish Bannerji
Pati BhaktiJ. J. Madan
Kamale KaminiSisir Kumar Bhaduri
RamayanJyotish BandyopadhyaySerial
RamayanEugenio De LiguoroSerial
Nartaki TaraJyotish Bandyopadhyay
Ratnavali (1922 film)C. Legrand
Raja Bhoj
Mohini (1922 film)Sisir Kumar Bhaduri
Bhagirathi Ganga
Rajkumari BudurJ. J. Madan
Laila Majnu (1922 film)J. J. Madan
1923Matri SnehaJyotish Bannerji
Noorjehan (1923 film)J. J. Madan
1924Patni PratapJ. J. MadanSerial
Turki HoorJ. J. Madan
1925Sati LakshmiJyotish Bannerji
Adoorat ChheleyJ. J. Madan
Sansar Chakra
Kashmiri Sundari
1926PrafullaJyotish Bannerji
JoydevJyotish Bannerji
DharmapatniJyotish Bannerji
1927JanaPriyanath Ganguly
Krishnakanter WillPriyanath Ganguly
Durgesh NandiniPriyanath Ganguly
ChandidasJyotish Bannerji
1928Aankh Ka Nasha
Hoor-E-ArabRatansha Sinore
BhrantiJyotish Bannerji
1929GiribalaModhu Bose
Kapal KundalaPriyanath Ganguly
1930Bharat RamaniJyotish Bannerji
Vaman Avatar
RajsinghaJyotish Bannerji
Kal ParinayaPriyanath Ganguly
Ganesh JanmaJal Ariah
1931Bibaha BibhratJyotish Bannerji
Alladin And The Wonderful LampJal Ariah
Samaj Ka Shikar
Satyawadi Raja HarishchandraJ. J. Madan
Bharati BalakAga Hashr Kashmiri
1932Pati Bhakti
Chatra BakavaliJ. J. MadanFantasy
BilwamangalFram Madan
Alibaba And Forty ThievesJ. J. Madan
Educated Wife
Hathili DulhanJ. J. Madan
1933Madhur Murali
Naqli DoctorJ. J. Madan
Zehari SaapJ. J. Madan
1934Kismet Ka Shikar
Bhakta-Ke-BhagwanV. M. Gunjal
Garib Ki DuniyaSorabji Kerawala
Anokha PremF. R. Irani
Kanya VikrayaMohammad Hussain
Sakhi LuteraSorabji Kerawala
1935Dil Ki PyaasJ. J. Madan
Asmat Ka MotiFram Sethna
Khudadad
Prem Ki Ragini
Sulagto SansarG. R. Sethi
Mera PyaraEzra Mir
1936Noor-E-WahadatG. R. Sethi
Baghi SipahiA.R. Kardar
Khyber PassGul Hamid
1937Fakhr-E-IslamNanubhai Vakil
1943RaniP. C. Barua
1944Chandar KalankaPramathesh Chandra Barua
IraadaS. Shamsuddin
1946Khan SahebPrem Sethna

References

  1. ^ “Patience Cooper”. Cinemaazi. 4 May 2024.
  2. ^ p 163, Parama Roy, Indian Traffic: Identities in Question in Colonial and Postcolonial India, University of California Press, ISBN 0-520-20487-5
  3. ^ Ancestry.com. India, Select Births and Baptisms, 1786-1947 [database on-line].UT, USA: Ancestry.com Operations, Inc., 2014. Original data: India, Births and Baptisms, 1786-1947. Salt lake City, Utah: FamilySearch, 2013.
  4. ^ “Personalities of Indian Cinema – Silent screen stars”. indiaheritage.org. Archived from the original on 19 October 2007. Retrieved 16 February 2009.
  5. ^ “Dadasaheb Phalke Father of Indian Cinema”. Dadasaheb Phalke Academy. Archived from the original on 18 December 2012. Retrieved 13 December 2012.
  6. ^ Article from Economic & Political Weekly[permanent dead link]
  7. ^ “Gul Hamid: The silent star who was heard”. The Express Tribune. 17 May 2014.
  8. ^ “Bollywood Divas”. Hindustan Times. Archived from the original on 9 May 2008. Retrieved 16 February 2009.
  9. ^ “1921 film starring Patience Cooper, India’s 1st Anglo-Indian actress, restored in Paris lab”. Times of India. 30 November 2022.